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Dear Mandela

Dear Mandela Directors: Dara Kell and Christopher Nizza

Logline: Dear Mandela chronicles the year leading up to the 2010 Soccer World Cup through the eyes of three young leaders in South Africa’s Shack Dwellers Movement as they face mass evictions, assassination attempts and a betrayal of Nelson Mandela’s promise of a ‘better life for all’.

Synopsis: An intimate portrayal of three young South Africans who live in the vast slums of Durban. Shot over one year, as the city prepares to host the 2010 Soccer World Cup – the most-watched sporting event in the world – our characters navigate growing up amidst escalating mass evictions. Nelson Mandela, their hero, is a guiding force behind their struggles but also a reminder of the broken promise of ‘a better life for all’. How does his sacrifice of 27 years in prison resonate in a South Africa gone awry?

In this beautifully rendered documentary, Mazwi, a radical schoolboy; Zama, an AIDS orphan; and Mnikelo, a mischievous activist, must make difficult choices to survive. When political violence threatens her slum, Zama must choose between moving far away from the city or staying despite the dangers. Mazwi has to chart an uncertain future as he completes his final year of high school. Mnikelo must decide whether to boycott the elections and risk political persecution. While state-of-the-art stadiums are built, the government redoubles its efforts to eradicate the slums and create ‘World Class Cities’ to impress the international guests. The shack dwellers come together and decide to take their case to South Africa’s version of the Supreme Court: the hallowed Constitutional Court. For them, it is a day of reckoning, as the twelve most respected judges in the land must decide whether a shack is, in fact, a home. DEAR MANDELA portrays the stadiums and the shanty towns beneath them as symbols of the inequality so many around the world must contend with.

A central idea in the film is one of leadership. As the beloved Nelson Mandela’s face beams down from every shack wall, schoolroom chalkboard and church pulpit, our characters grapple with their individual role in shaping a country at war with itself amidst daily violent township protests, deepening poverty and rampant corruption. DEAR MANDELA is, ultimately, a story about young people who decide early on to fight for something bigger than themselves, inspiring us to do the same.

http://www.dearmandela.com/

About the Filmmaker

Dara Kell and Christopher Nizza. Dara was born and raised during apartheid South Africa. She came of age as the country transitioned from the old regime to the new and her vivid impressions of this hopeful time have since guided her filmmaking work. Dara is a recipient of Participant Media's 'Outstanding Filmmaker' Award, representing Africa. She has worked as a documentary editor on 'Jesus Camp' (nominated for a 2007 Academy Award); 'The Reckoning' (which premiered at Sundance 2009); 'Power and Control: Domestic Violence in America'; 'Courting Justice' and 'Mercurial Son: the Blues of Lurrie Bell', among others. This is her directorial debut. Dara obtained a Bachelor of Journalism cum laude from Rhodes University, South Africa, where she received the Frank Rostron bursary for Excellence in Journalism. DEAR MANDELA is a deeply personal project motivated by many years of research, reflection and grassroots political work with social movements both in South Africa and the United States. Christopher Nizza is a New York City born, bred and based filmmaker and editor. His Emmy Award-winning work includes documentaries and television shows (‘Hollywood DC’, ‘Ironman’, ‘Dakar Rally’, ‘Iditarod’) as well as Pepsi commercials and a Snoop Dogg music video. A former basketball star-turned-journalist, he has edited programming for most of the major networks and cable channels. With co-director Dara Kell, he is a recipient of Participant Media's Outstanding Filmmaker Award, representing Africa. Nizza is a founding member of the University of the Poor, a project dedicated to using video and new technologies as part of a broad movement to end poverty. He directed ‘Crisis, U.S.A.’, ‘Copy This Tape’ and ‘Learning as we Lead’ in collaboration with low-income communities. These short documentaries have been used hundreds of times in grassroots meetings across the United States to educate groups about their economic human rights.

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